Synchromatic 400
Built in 1939, the Synchromatic 400 was created during what is known as the early period of the vintage Synchros. This period, which is usually defined as the time between 1939 and early World War II, saw a number of Synchromatic guitars being built. These instruments, as opposed to those built between WWII and 1951 and 1951 and 1953 (the other two periods) were more ornate and opulent. As the years went by, especially during the 50s, the guitars lost many of their extra features such as the cat-eye soundholes.
However, the Synchromatic 400, which is one of the larger and more detailed guitars by Gretsch, has many extras, including thirteen layers of binding. It covers everything guitar players want: it looks great, it sounds great, and it’s incredibly playable. While the Synchromatic 200 and 300 were made more for those who just want a great instrument, the 400 version was made to be the top of the line. In fact, it was created to outdo the Gibson Super 400, and some say it succeeded.
The Synchromatic 400 is based on the 250, but unlike the 250, it has much more of an artistic style and look to it. It features what Gretsch has labeled the Seven Points of Supremacy, and these seven points were often used when marketing the guitar.
Like the other Synchromatic guitars, the Synchromatic 400 wasn’t built in any large quantity, and it soon fell off the assembly line. However, it is one of the most sought after guitars by those looking for acoustic archtops, and it is still in demand today.
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